The Final Cut (Mike Vardy, 1995)
Only Dobbs got his knickers in a twist because it dared to conceive of a dead Margaret Thatcher.
If only she were dead and buried.
By now Prime Minister Urquhart is in full Macbeth mode — with continued flashbacks to <spoiler> from part one and less often to <spoiler> from part two — suggesting he has a conscience after all. In addition to this we get Back Story of his time in Cyprus as a soldier and flashbacks to two violent deaths. This hasn’t seemed to have troubled him before, but presumably the attempt to find a settlement between Greek and Turkish Cyprus is the cause here. But clearly an era is ending and he’s looking top be provided for — a nice little earner of an insider deal.
The minnows are circling and the successors are lining up — can he fend them off as well as the relatives of the Cyprus dead? I guess if we follow the tragic structure we know what will happen, but I’m not sure I buy the mechanism of betrayal (although there’s been hints of an affair between a major and less major character). Again, Richardson carries the series as Urquhart; everyone else just reminds you of someone you’ve seen since on tv.