En kärlekshistoria (A Swedish Love Story, Roy Andersson, 1970)
So, this is very odd — a film by Roy Andersson that almost has a plot or at least a thread of story.Continue reading →
Border (Gräns, Ali Abbasi, 2018)
A couple of times I’ve taught Tomas Alfredson’s adaptation of John Avjide Lundqvist’s Let the Right One In, an intriguing vampire film with a nod to The Tin Drum. There’s been a remake and a TV series and now a short story has been adapted, billed as horror but maybe is better seen as a fantasy or a dark romance.
Continue reading →
En Duva Satt På En Gren Och Funderade På Tillvaron (A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson, 2014))
Fourteen years on from Sånger Från Andra Våningen (Songs from the Second Floor (Roy Andersson, 2000)) and Du Levande (You, The Living, (Roy Andersson, 2007)), a great filmic trilogy is completed. I confess I saw the films out of order — I started with Du Levande and saw Sånger on DVD — but I don’t think that’s necessarily a problem. It may be there’s a darkening of tone, for this film is deepest pitch. But let’s begin with a review of Du Levande from my Dreamwidth account. Continue reading →