Ida Thought

Ida (Paweł Pawlikowski, 2013)

I somehow missed Pawlikowski’s Cold War (2018) by blinking at an inopportune moment, but  I remember enjoying his Margate-set, faintly post-apocalyptic immigrant drama Last Resort (2000) with Dina Korzun and Paddy Considine. There I might have reached for Ken Loach and Lindsay Anderson, but here there is a feel of Tarkovsky without quite so much striving for poetry, in glorious black and white. Continue reading →

Amirite?

Ammonite (Francis Lee, 2020)

Women are often written out of science.

In the nineteenth century, Charlotte Murchison (1788–1869) collected fossils and was somewhat overshadowed by her husband, Roderick Impey Murchison, who used many of her ideas and illustrations in his books. On one journey, to Rome in 1816, she contracted malaria and this would impact on her health for the rest of her life.

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Wolves Do Not Eat Popcorn

Skriften på veggen ((The Writing on the Wall) Stefan Faldbakken, 2010)
Svarte får
((Black Sheep) Stephan Apelgren, 2011)
Dødens drabanter
((Consorts of Death) Stephan Apelgren, 2011)
I mørket er alle ulver grå
((At Night All Wolves Are Grey) Alexander Eik, 2011)
De døde har det godt
((The Dead Have It Easy) Erik Richter Strand, 2011)
Kalde hjerter
((Cold Hearts), Trond Espen Seim, 2012)

The first series left me with a degree of trepidation – would Hamre be back or has the series jumped the shark. The answer is – spoiler – he is back and so it was worth watching. The friendship gets closer, to the extent that I was expecting him to be written out. No spoilers here. But there is a growing sympathy, especially as Veum gets closer to a new girlfriend Karin (Lene Nystrøm), who appears in a different guise in the novels.

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Manic But No Dream Girl

Pixie (Barnaby Thompson, 2020)

There is a great film in here trying to get out — but it just throws too much into it. This isn’t the first two men and a woman crime caper movie — it’s a long time since I saw it, but Shooting Fish springs to mind — and its rural Irish/Northern Irish location gave it a feel of some of the films Channel 4 made in the 1980s. Musically, it wants to be a western, especially of the western variety, but the caption Once Upon a Time in the West of Ireland gag is a one off and risks being mistaken as the film’s actual title.

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Don’t Call Me …

Shirley (Josephine Decker,  2018)

The first rule of biopics is that they are not biographies of their subjects — in this case we have Shirley Jackson (1916-1965), best known for the inexplicably thought to be frightening “The Lottery” and the twice-filmed The Haunting of Hill House. She clearly had some issues with smoking and barbiturates and other meds and an unfaithful husband.

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Most Bogus

Bill & Ted Face the Music (Dean Parisot, 2020)

At the tail end of the 1980s was a science fiction comedy, which was just about silly enough — two Californian slacker dudes have to pass their assignment to guarantee the future and are aided in doing so by a man from the future with a time travelling phone box. Continue reading →