Benjamin (Simon Amstell, 2018)
Yesterday (Danny Boyle, 2019)
I’d not knowingly come across Joel Fry before, but here he is, playing essentially the same role of kooky and tactless best friend in two romcoms.
Back in the late 1970s, Brian Henderson suggested that the romcom was no longer possible – two broad schools of the genre divide into two questions. Continue reading →
The Dead Don’t Die (Jim Jarmusch, 2019)
Jim Jarmusch is evidently one of those low budget indie auteur who both builds an ensemble around him and persuades A-List stars in search of artistic credibility to work for him (presumably for scale). A couple of years ago he cast the divine Tilda Swinton in a misjudged vampire film, Only Lovers Left Alive and now he shifts to the zombie film to pastiche.
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Rocketman (Dexter Fletcher, 2019)
I confess to not paying that much attention to Reginald Dwight — although there was no escaping his persecution by The Sun when he sued or his Diana anthem and he cowrote with Tom Robinson — oh and he had those photos at t’Tate. Although, curiously, I’ve always enjoyed his songs when I’ve heard them. I knew the brief outline of his life story and … Continue reading →