Sally Potter and the Deathly Allows

The Roads not Taken (Sally Potter, 2020)

Potter has produced some tremendous films over the years — Orlando and The Man Who Cried, plus Ginger & Rosa and The Party — and the initial success of the latter allowed her to make this deeply uncomfortable film, inspired by caring for her brother, Nic Potter, the bassist for the rock group Van der Graaf Generator. Continue reading →

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Max Richter’s Sleep (Natalie Johns, 2019)

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Hop Gape

Hope Gap (William Nicholson, 2019)

Curiously, for a film set in Seaford in East Sussex, parts of this were filmed in Yorkshire. And this is just a couple of weeks after what may well be the same East Sussex cliffs stood in for East Kent. I look forward to Folkstone being the location for a remake of Wuthering Heights. Continue reading →

A Dream of Everlasting Love

Ginger & Rosa (Sally Potter, 2012)

Potter has produced a couple of masterpieces — Orlando and The Man Who Cried — on minimal budgets and seems to be able to attract Class A character actors. Here we have Timothy Spall and Annette Bening, not to mention Christina Hendricks and Oliver Platt and Alessandro Nivola. Continue reading →

Brief Natural Nudity

The Personal History of David Copperfield (Armando Iannucci, 2020)
Emma. (Autumn de Wilde, 2020)

There is nothing we seem to like better in the British Film Industry than a literary adaptation — and there have been great versions of Austen and Dickens in the past, so much so that it wasn’t until two hours and four minutes into Emma. that I felt we need another Austen on screen. Continue reading →