Home A Clone

Caryl Churchill, A Number (directed by Polly Findlay, Br/dge Theatre)

I hadn’t realised that this revival of a 2002 play was a one-act play — it’s a taut hour and change, written at the time of Dolly the Sheep. After the first Royal Court production with Michael Gambon and Daniel Craig, revivals seem to have gone for real life fathers and sons: Timothy and Samuel West, John and Lex Shrapnel. Here we have Roger Allam (who I think I saw at the RSC in about 1987) and Colin Morgan, mainly off the telly (but he was great in Benjamin). Continue reading →

Be Witched

C. S. Lewis, The Lion, the Witch and the Wardrobe (directed by Sally Cookson, Br/dge Theatre)

After last year’s slightly bizarre choice, the Bridge played it safe for the panto slot, with a classic children’s literary adaptation revived from the West Yorkshire Playhouse. They end up with a curious mix of Peter Pan, The Wizard of Oz and The Lion King. My guess it was twenty years since I read the novel and I never warmed to Lewis, with or without Christian allegory. I’d forgotten the evacuation context, and rather like Chitty Chitty Bang Bang it feels as if it takes forever to get to fantasyland. I can see why they did a long train sequence to offer us some initial spectacle, but it seemed to last forever. Continue reading →

Don’t Cry Uncle

Anton Chekhov, Uncle Vanya (directed by Ian Rickson, Harold Pinter Theatre)

For a change from Norwegian theatre – though in practice Ibsen – I moved to Russian, and ponder whether I’ve seen this before. I’d seen The Seagull, and I think something at the Lace Market Theatre, but that may have involved sisters and orchards. I had no sense who Uncle Vanya was and whether he has nieces or nephews.
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Viennese Roles

Tom Stoppard, Leopoldstadt (directed by Patrick Marber, Wyndhams Theatre)

The Stoppard play is a familiar unfamiliar beast: a pastiche of a known genre or text meshed with a philosophical idea or two, told in witty dialogue. Tosh a Beckettean Hamlet at probability theory or quantum mechanics at John Le Carré. The downside for some — I don’t agree — is characters as cyphers and an emotional shallowness.

Shrugs. Continue reading →

Supercalimilesjuppisticexpialidocious

James Kettle, The Life I Lead (Directed by Didi Hopkins and Selina Cadell; Park Theatre)

Earlier this year, Mile Jupp vanished from chairing The News Quiz — I wondered if he might be filming something, but I reckon he must have been rehearsing and touring this one man play. This brings him full circle for me, as I suspect I first paid attention to him with his stand up/one man show about gatecrashing cricket commentary. I don’t think I’d connected him with Rev yet.
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You made a first-class fool out of me

Christopher Hampton, A German Life (Directed by Jonathan Kent, Br/dge Theatre)

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I was going to London on the day that tickets for this went on sale and I did wonder whether the SouthEastern WiFi would be up to it. I was three thousand in the queue with fifty five minutes on board and got to check out just as we hit the tunnels around Stratford. I was lucky — this may well be the only time I get to see the legendary star of The Prime of Miss Jean Brodie and one of Alan Bennett’s Talking Heads live.

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Peers vs Piers

Edward II (Directed by Nick Bagnall, Sam Wanamaker Playhouse)

I think this is the third production I’ve seen, although I had lost track of which came first — it was clearly Derek Jarman’s film of Edward II (1991), which is compromised by a compelling performance by Tilda Swinton as the cuckolded and cuckolding Isabella — whom you root for — and the treatment of the (spoiler) traditional execution at the play’s end. Continue reading →