Sally Potter and the Deathly Allows

The Roads not Taken (Sally Potter, 2020)

Potter has produced some tremendous films over the years — Orlando and The Man Who Cried, plus Ginger & Rosa and The Party — and the initial success of the latter allowed her to make this deeply uncomfortable film, inspired by caring for her brother, Nic Potter, the bassist for the rock group Van der Graaf Generator. Continue reading →

Infrequent strong language, discrimination, moderate comic violence

An American Pickle (Brandon Tros, 2020)

So, this must be a first in certification terms: 12A because of discrimination.

Although, when you think about it, what might be balance is anti-Semitic. The sexism, on the other hand, is perhaps invisible. Continue reading →

Brief Natural Nudity

The Personal History of David Copperfield (Armando Iannucci, 2020)
Emma. (Autumn de Wilde, 2020)

There is nothing we seem to like better in the British Film Industry than a literary adaptation — and there have been great versions of Austen and Dickens in the past, so much so that it wasn’t until two hours and four minutes into Emma. that I felt we need another Austen on screen. Continue reading →