Max Richter’s Sleep (Natalie Johns, 2019)
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Jóhann Jóhannsson, Last and First Men (Barbican, LSO conducted by Daníel Bjarnason, 1 December 2018)
As black and white footage of concrete construction unfolds on a screen through the mirk of dry ice, I think of Goran Stefanovski, who I so wish I talk to about this – this is film of the former Yugoslavia, it may or may not be Macedonia, and I have no idea if these are ruins or sculptures or… He would have loved the conversation. The cinematographer was Sturla Brandth Grøvlen, who worked on the one-take Victoria (Sebastian Schipper, 2015), but Jóhannsson directed it.
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Subject to Change 