“I’d sort of like to see some of my ideas, not just special effects of my ideas, used… and concepts that awaken the mind rather than the senses.”
Blade Runner 2049 (Denis Villneuve, 2017)
May contain spoilers — I am circumspect at the start, with a firmer warning later on.
So after a full week of lectures and tutorials and a London day trip, I checked when a certain sequel was showing and saw there was a Thursday night preview with one seat left. So I booked.
I confess to a love-hate relationship with Blade Runner, ranging from the hating it because it betrays the source to loving it for visual style and allusiveness to hating it because half the students were writing about it and I’d seen it too many times. If I’m honest, I didn’t see the need for the sequel and I wasn’t convinced Scott could pull it off — and Prometheus and Covenant didn’t help, but the baton had baeen handed on.
I fully expected to hate it and had kept my expectations low, as I saw a number of rave reviews and Kim Newman’s balanced response, although I carefully didn’t read past his spoiler point.
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