David Hockney, The Arrival of Spring, Normandy, 2020 (Royal Academy of Arts, 23 May–26 September 2021)
You have to admire Hockney for his prolificness and his ability to reinvent himself in a sixty-odd year career. The Tate retrospective was great but, the 1960s rooms aside, you could imagine at least two surveys of his work that didn’t overlap with that one. Having made art with paint, pencil, charcoal, various kinds of prints and Polaroids, it was hardly surprising that he’d embrace iPads and for some years he has been using them to make landscape images.
Here we have 116 works drawn on iPads around his newish home in Normandy during the early Covid weeks of 2020, printed above their created size on paper and on the walls of three of the rooms in the Main Galleries (and they will move in August to the slightly smaller Gabrielle Jungels-Winkler Galleries). But are they any good?
Well, they’d look good on a fridge.Continue reading →