Don’t Call Me …

Shirley (Josephine Decker,  2018)

The first rule of biopics is that they are not biographies of their subjects — in this case we have Shirley Jackson (1916-1965), best known for the inexplicably thought to be frightening “The Lottery” and the twice-filmed The Haunting of Hill House. She clearly had some issues with smoking and barbiturates and other meds and an unfaithful husband.

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Most Bogus

Bill & Ted Face the Music (Dean Parisot, 2020)

At the tail end of the 1980s was a science fiction comedy, which was just about silly enough — two Californian slacker dudes have to pass their assignment to guarantee the future and are aided in doing so by a man from the future with a time travelling phone box. Continue reading →

Crime and Titillation

Kjell Ola Dahl, Lethal Investments (Dødens investeringer (1993), translated by Don Bartlett, 2011)

Lethal Investments coverJo Nesbø has been lucky – whilst they didn’t start with the first Harry Hole novel, all have been translated. Gunnar Staalersen and Jørn Lier Horst’s series have large gaps. And here Lethal Investments has made it into English, but only after a few other novels – Seksognitti (1994), Miniatyren (1996) and Siste skygge av tvil (1998) have yet to follow. At this point he was still K.O. Dahl – perhaps we would have been scared by … Kiel …? Shell…?

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Sally Potter and the Deathly Allows

The Roads not Taken (Sally Potter, 2020)

Potter has produced some tremendous films over the years — Orlando and The Man Who Cried, plus Ginger & Rosa and The Party — and the initial success of the latter allowed her to make this deeply uncomfortable film, inspired by caring for her brother, Nic Potter, the bassist for the rock group Van der Graaf Generator. Continue reading →