Crime and Titillation

Kjell Ola Dahl, Lethal Investments (Dødens investeringer (1993), translated by Don Bartlett, 2011)

Lethal Investments coverJo Nesbø has been lucky – whilst they didn’t start with the first Harry Hole novel, all have been translated. Gunnar Staalersen and Jørn Lier Horst’s series have large gaps. And here Lethal Investments has made it into English, but only after a few other novels – Seksognitti (1994), Miniatyren (1996) and Siste skygge av tvil (1998) have yet to follow. At this point he was still K.O. Dahl – perhaps we would have been scared by … Kiel …? Shell…?

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Sally Potter and the Deathly Allows

The Roads not Taken (Sally Potter, 2020)

Potter has produced some tremendous films over the years — Orlando and The Man Who Cried, plus Ginger & Rosa and The Party — and the initial success of the latter allowed her to make this deeply uncomfortable film, inspired by caring for her brother, Nic Potter, the bassist for the rock group Van der Graaf Generator. Continue reading →

Eavesdropping

Nicolaes Maes: Dutch Master of the Golden Age (National Gallery, London)

Tucked away on the ground floor of the National Gallery has been an exhibition devoted to Nicolaes Maes (1634-1693), an almost industrial producer of portraits – some 900, apparently – but earlier in his career better known genre pictures. In fact, such is the divide, that some critics have suggested there were two artists on the same name.

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The Hand of Dog

Alan Bennett, The Outside Dog (directed by Nadia Fall, Br/dge Theatre)
Alan Bennett, The Hand of God (directed by Jonathan Kent, Br/dge Theatre)

bridgeI’m not sure that I ever saw the second season of Alan Bennett’s Talking Heads monologues and I certainly haven’t seen The Bridge’s TV remakes. Probably, I should. Continue reading →

Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz

Max Richter’s Sleep (Natalie Johns, 2019)

Zzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzz zzzzzz zzzz zzzzz zzzzz zzzzz zzzzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzzzzzzzzzzzzzzzzzz zzzzzzzzzzzzzzzzzz… Continue reading →

Hop Gape

Hope Gap (William Nicholson, 2019)

Curiously, for a film set in Seaford in East Sussex, parts of this were filmed in Yorkshire. And this is just a couple of weeks after what may well be the same East Sussex cliffs stood in for East Kent. I look forward to Folkstone being the location for a remake of Wuthering Heights. Continue reading →

Hard to Beat

David Hare, Beat the Devil (directed by Nicholas Hytner, Br/dge Theatre)

beat the devilSo, here we are again, but with a piece of theatre before a piece of theatre – a specific entry time (ignored in practice), some kind of thermal imaging camera to detect The Plague, an auditorium all but stripped of chairs, a stage with a chair and a desk and little else… Continue reading →