Row of cinema seats

Huthering Weights

Emily Brontë, Wuthering Heights (1847)
Wuthering Heights” (Emerald Fennell, 2026)
Wuthering Heights (Andrea Arnold, 2011)
Fish Tank (Andrea Arnold, 2009)

When I was clinging onto the idea of teaching English Literature, I got three part time gigs teaching nineteenth literature. This was ironical, because as an undergraduate there was an notable gap in my Beowulf to Virginia Woolf (and up to about 1990) that was Victoria Literature. Inevitable I had to teach three different Dickens and three Eliots, but Emily saved me by only having a single surviving novel.

I suspect my only knowledge of it was Kate Bush (which I had seen) and a Cliff Richard musical (which passed me by).

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Anyone for Denis?

Un 32nd Août sur terre ((August 32nd on Earth), Denis Villeneuve, 1998)

Maelström (Denis Villeneuve, 2000)

Polytechnique (Denis Villeneuve, 2009)

Incendies ((Fires) Denis Villeneuve, 2010)

Enemy (Denis Villeneuve, 2013)

Québécois director Villeneuve has had a run of big budget sf blockbusters – Arrival (2016), Blade Runner (2017) and Dune Part One (2021) – of variable box office success and various level of my own disdain. Arrival seems to be scuppered by Sapir-Whorf nonsense, whereas the other two were unnecessary. Whilst Amy Adams is strong in Arrival, Blade Runner 2049 has less excuse for its misogyny than the original and a major female character in Dune doesn’t get to speak for the first three days of the running time. (Apparently she will be more prominent in Part Two.)

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