Moustache on the Orient Express

Murder on the Orient Express (Kenneth Branagh, 2017)

So this comes with a weight of expectations and spoilers — is this the one where the detective did it or was it the fourth victim, who faked his death? Branagh had started his film career trying to out Sir Larry Sir Larry with worthy Shakespearean adaptations, but with the odd psychological thriller to show versatility. And the truly dreadful and misnamed Mary Shelley’s Frankenstein. And now a crowd pleaser: an always redundant adaption of the hoary Agatha Christie novel. I think it’s a lose-lose situation: either he’s faithful to the original and we know what’s gonna happen or he’s not and we feel cheated.

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Now is the Time For All Good Women to Come to the Aid of…

The Party (Sally Potter, 2017)

I so nearly didn’t go to see this — I’ve twice felt too tired this week to do an 8.30 Blade Runner 2049 rewatch, and I do need to subject myself to Thor: Ragnarok and I’d not quite twigged that this was a Sally Potter film. That being said, it’s a long time since I saw Orlando and The Man Who Cried and I really need to fill in those gaps. But the fact that I ran late despite an event being cancelled meant the 5.00 screening was perfect and I could have been home for The Archers if I’d not called into Aldi.

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Figuring It Out

Face to Face: The Figurative Sculpture of Sean Henry (The Lightbox, Woking, 12 August-5 November 2017)

I first knowingly encountered the sculptures of Sean Henry on a day trip to Newbiggin by the Sea with the Aged P. Faced with the problem of being a north eastern coastal town — and the last pub before Norway not being necessary nor sufficient — they turned to Art and commissioned a giant double statue, Couple, to be placed in the bay, an implicit answer to whatever question was being asked by a certain northern angel.

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Spall’s Well That Ends Well

Electric Dreams: “The Commuter” (Tom Harper, 2017)

Now this is more like it — a fantasy partly set at Woking Station.

Funnily enough, I was looking at train times to Woking today and I’ve been there a couple of times. It get destroyed in War of the Worlds.

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HisWorld and Welcome to It

Terry Pratchett: HisWorld (Salisbury Museum, 16 September 2017–13 January 2018)

I’m always a little agnostic when it comes to exhibitions about writers. What is there to show? There was a little confusion when I was writing a critical book about an author as to whether I was writing a biography, and his agent contacted me with the reasonable objection that I hadn’t talked to anyone he knew. I corrected the confusion, but not before the author asserted that he wouldn’t object to a biography.

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Nothing is Impossible

Electric Dreams: “Impossible Planet” (David Farr, 2017)

One thing that struck me about the anthology series opener, “The Hood Maker”, was the openness of its ending — not in a Tales of the Unexpected twist way, but a leaving it open way. This week’s adaptation has another ambiguous ending, but in a more PhilDickian way and so inevitably, spoilers ahoy.

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A Murmuration of Stalins

The Death of Stalin (Armando Iannucci, 2017)

I’ve been watching Armando Iannucci’s comedy for decades now. He was there behind On the Hour and The Friday Night Armistice, not to mention The Thick of It and In the Loop. Much of his work this century has been exploring the back stabbing shenanigans at the heart of politics, even as reality outstripped him.
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