No Time to Die (Cary Joji Fukunaga, 2021)
I confess I’ve lost track of which Bond films I’ve seen — they were Christmas and Easter and Bank Holiday films and ITV had a phase of showing them on a Sunday afternoon. They followed a familiar pattern, a precredit sequence full of stunts, Bond being sent on a mission by M and being geared up by Q, a car chase that graduated to a lot of cars chasing, to helicoptors chasing, the entire Russian army chasing on skis, seemingly unable to shoot one man. And thence to a volcano base, and a final confrontation and a big bang. And along the way, one liners and a several Martinis and a bit of the old in-out with a girl thirty or forty years his junior. Continue reading →
Inception (Christopher Nolan, 2010)
Nolan is one of those directors who flatters his audiences into thinking they are intelligent — at least in the half of his output which tries to be thinky, rather than the superhero tosh which somehow gets away with have a Gotham City that is so male that Batman and one of the villains are dating the same woman.
Oh, and gotta kill those wives.
With the possible exception of The Prestige (which flattens its source material), it’s been downhill since Following and Memento. (I confess I’ve not seen Insomnia, as I suspect it is not in the same league as Erik Skjoldbjærg’s original.)
Part of me is happy to see Michael Caine in anything, but as with Bill Nighy and Tilda Swinton, sometimes I suffer for their art.
I had seen Inception before — on DVD — and, appropriately, I’d forgotten most of it, aside from the criminal underuse of Ellen Page. So, the big screen rerelease to drum up interest in Tenet seemed like a good reason to see it large. And inevitably, I have to talk about the ending. Continue reading →