Stan & Ollie (Jon S. Baird, 2018)
All comics end in tragedy, in one way or another. They either die in harness — Tommy Cooper on stage — or fade away to keep bees on the South Sussex Downs or can’t stay at the top. Those giants of silent film — Keaton, Lloyd and Chaplin — transitioned awkwardly into the synchronised sound era, but production slowed or stopped. Stan Laurel and Oliver Hardy were paired together by Hal Roach, with Laurel’s gift for dialogue pairing perfectly with their slapstick. But Laurel never had the financial control he craved and was unable to negotiate a better deal as his contract never ended at the same time as Hardy’s. Laurel left Hal Roach Studios and Hardy made a film with Harry Langdon; thirteen years later the two tour Britain and Ireland in 1953, rebuilding an audience as the has-beens, enjoyed more in reruns than live, and trying to out together one last film. But Hardy is dying.