Plates

The start of term comes on the heels of a summer where I more or less ground to a halt, my body clearly telling me I needed sleep. We’ve updated the VLEs for all the modules, so that they all look the same, but importing and updating old content took longer than planned because Blackboard is still clunky despite claiming drag and drop.

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Three Views of Karl Johans Gate

A couple of years ago I had about half an hour in the Rasmus Meyer Collection (aka KODE Three) to look at the Munchs. I knew The Scream, of course, which if memory serves is the painting destroyed in Do Androids Dream of Electric Sheep? (unless it was Melancholia) and of which I had an inflatable version. The collection — assembled by one of Munch’s first collectors — has a lithograph version, and it was great to see that. There were three other rooms, exclusively Munch.

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Kit Out

Christopher Wood, Sophisticated Primitive (Pallant House, 2 July–2 October 2016)

There is a shadow over the art of Christopher Wood:

Aged twenty-nine, having just had tea with his mother, he threw himself under a train at Salisbury and was killed.

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