The Art of 2019 — Part One

I started, as so often I do, with keeping a list of consumed culture. This petered out, so I am relying on memory.

2019 was Van Gogh and Rembrandt and Schiele and Munch.

Every year should be Munch year.
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Des Chats comme Félix

Félix Vallotton: Painter of Disquiet (Royal Academy of Arts, 30 June—29 September 2019)

I had a grumpy wander around the Pierre Bonnard exhibition at Tate Modern, but it wasn’t doing much for me, or the crowd were getting in the way. Bonnard was part of a group of French artists, Les Nabis or The Prophets, who had mostly been to the Académie Julian in the late 1880s, and who were fans of Paul Cézanne and Paul Gaugin. Other members included Maurice Denis, Paul Ranson, Ker-Xavier Roussel and Édouard Vuillard.

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