The Art of 2019 — Part One

I started, as so often I do, with keeping a list of consumed culture. This petered out, so I am relying on memory.

2019 was Van Gogh and Rembrandt and Schiele and Munch.

Every year should be Munch year.
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Household Tales

Paula Rego: Obedience and Defiance

I think I first saw a Paulo Rego work at the Anthea Turner Gallery, a drawing of a back street abortion in the Youth exhibition which was the first of their shows to make a splash. It was simultaneously fascinating and painful, heartbreaking. There was an exhibition in Hastings of some recent work, inspired by a Spanish book, Hélia Correia’s The Boy Who Loved the Sea and some self portraits, made after a fall. There was a fairy tale quality to them; indeed I later saw an exhibition of fairy tale inspired pictures by chance at the Marlborough Gallery. She also showed up at a late room in the predominantly make Painting From Life exhibition at Tate Britain. Continue reading →