Family Romance, LLC (Werner Herzog, 2019)
Indeed the whole effort at replacing the real father by a superior one is only an expression of the child’s longing for the happy, vanished days when his father seemed to him the noblest and strongest of men and his mother the dearest and loveliest of women. (Freud)
Here’s an oddity — a work of fiction in which some of the actors play themselves. Or a documentary in which everything is staged.
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Querelle (Rainer Werner Fassbinder, 1982)
I think I’ve seen this before.
(There’s a spoiler in the final paragraph.)
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Transit (Christian Petzold, 2018)
The estrangement is strong in this one. In Paris, Georg (Franz Rogowski) is persuaded to deliver two letters to a writer, Franz Weidel, but finds that the latter has died, by suicide. Narrowly escaping the police, Georg tries to smuggle his friend, Heinz, to Marseille, but the latter dies en route and Franz narrowly escapes the police. Georg has to break the news of Heinz’s death to his family and of Franz’s death to the Mexican consul – but he is mistaken for Franz, who has a visa that will allow him to escape the Nazi occupiers who will soon be cleansing Marseille… Continue reading →
This was commissioned for a project that seems to have vanished, but I needed to write a couple of sentences for a chapter on the topic… I thought this text would be on my harddrive, but it’s hiding if it is. Fortunately I rarely delete emails.
Welt am Draht (World on a Wire/World on Wires) (Westdeutscher Rundfunk, 1973)
Adapted from Daniel F. Galouye, Counterfeit World/Simulacron-3 (1964)
(Dir. Rainer Werner Fassbinder; Sc. Fritz Müller-Scherz and Rainer Werner Fassbinder; Pr. Peter Märthesheimer and Alexander Wesemann; Cin. Michael Ballhaus and Ulrich Prinz; P.D. Horst Giese, Walter Koch and Kurt Raab; starring Klaus Löwitsch (Fred Stiller), Barbara Valentin (Gloria Fromm), Mascha Rabben (Eva Vollmer), Karl Heinz Vosgerau (Herbert Siskins), Wolfgang Schenck (Franz Hahn), Kurt Raab (Mark Holm)) Continue reading →