Deception

Inception (Christopher Nolan, 2010)

Nolan is one of those directors who flatters his audiences into thinking they are intelligent — at least in the half of his output which tries to be thinky, rather than the superhero tosh which somehow gets away with have a Gotham City that is so male that Batman and one of the villains are dating the same woman.

Oh, and gotta kill those wives.

With the possible exception of The Prestige (which flattens its source material), it’s been downhill since Following and Memento. (I confess I’ve not seen Insomnia, as I suspect it is not in the same league as Erik Skjoldbjærg’s original.)

Part of me is happy to see Michael Caine in anything, but as with Bill Nighy and Tilda Swinton, sometimes I suffer for their art.

I had seen Inception before — on DVD — and, appropriately, I’d forgotten most of it, aside from the criminal underuse of Ellen Page. So, the big screen rerelease to drum up interest in Tenet seemed like a good reason to see it large. And inevitably, I have to talk about the ending. Continue reading →

Wired Worlds

This was commissioned for a project that seems to have vanished, but I needed to write a couple of sentences for a chapter on the topic… I thought this text would be on my harddrive, but it’s hiding if it is. Fortunately I rarely delete emails.

 

Welt am Draht (World on a Wire/World on Wires) (Westdeutscher Rundfunk, 1973)

Adapted from Daniel F. Galouye, Counterfeit World/Simulacron-3 (1964)

(Dir. Rainer Werner Fassbinder; Sc. Fritz Müller-Scherz and Rainer Werner Fassbinder; Pr. Peter Märthesheimer and Alexander Wesemann; Cin. Michael Ballhaus and Ulrich Prinz; P.D. Horst Giese, Walter Koch and Kurt Raab; starring Klaus Löwitsch (Fred Stiller), Barbara Valentin (Gloria Fromm), Mascha Rabben (Eva Vollmer), Karl Heinz Vosgerau (Herbert Siskins), Wolfgang Schenck (Franz Hahn), Kurt Raab (Mark Holm)) Continue reading →